leerock89
02-19-2009, 11:06 PM
Good lord there are so many so I am only putting on the most common ones. If you want to add one yourself feel free to.
Rock - is a loosely defined genre of popular music that developed during and after the 1960s. It has its roots in 1940s and 1950s rock and roll and rockabilly, which themselves evolved from rhythm and blues, country music and other influences. In addition, rock music drew on a number of other musical influences, including folk music, jazz, and classical music.The sound of rock often revolves around the electric guitar or acoustic guitar, and it uses a strong back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as organ, piano, or, since the 1970s, synthesizers. Along with the guitar or keyboards, saxophone and blues-style harmonica are sometimes used as soloing instruments. In its "purest form", it "has three chords, a strong, insistent back beat, and a catchy melody.
Punk - a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom, and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed the perceived excesses of mainstream 1970s rock. They created fast, hard-edged music, typically with short songs, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY (do it yourself) ethic, with many bands self-producing their recordings and distributing them through informal channels.
Heavy metal - a genre of rock music that developed in the late 1960s and early 1970s, largely in England and the United States. With roots in blues-rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with machismo and masculinity.
Alternative rock - is a genre of rock music that emerged in the 1980s and became widely popular in the 1990s. Alternative rock consists of various subgenres that have emerged from the independent music scene since the 1980s, such as grunge, Britpop, gothic rock, and indie pop. These genres are unified by their collective debt to the style and/or ethos of punk rock, which laid the groundwork for alternative music in the 1970s. At times alternative rock has been used as a catch-all phrase for rock music from underground artists in the 1980s, and all music descended from punk rock (including punk itself, New Wave, and post-punk)
Emo - a genre of music that originated from hardcore punk and later adopted pop punk influences when it became mainstream in the United States.
First wave (1985–1994)
In 1985 in Washington, D.C., Ian MacKaye and Guy Picciotto, veterans of the DC hardcore music scene, took their music in a more personal direction with a far greater sense of experimentation, bringing forth MacKaye's Embrace and Picciotto's Rites of Spring. The style of music developed by Embrace and Rites of Spring soon became its own sound. As a result of the renewed spirit of experimentation and musical innovation that developed the new scene, the summer of 1985 soon came to be known in the scene as "Revolution Summer". Where the term emo actually originated is uncertain: the earliest print citation found so far appears in 1997, although some claim that members of Rites of Spring mentioned in a 1985 Flipside Magazine interview that some of their fans had started using the term to describe their music.
Second wave (1994–2000)
As Fugazi and the Dischord Records scene became increasingly popular in the indie underground of the early 1990s, new bands began to spring up. Diary was released by Sunny Day Real Estate in 1994. The band performed on TV shows, including The Jon Stewart Show. Inspired by Fugazi and Sunny Day Real Estate, Jimmy Eat World released the album Static Prevails in 1996 on Capitol Records. A Cornerstone of the late-Nineties emo movement was Weezer's 1996 album Pinkerton, which was to be considered one of the defining emo records of the 90s and was said to have introduced emo to a larger and more mainstream audience.
Mainstream emo (2000–present)
While Jimmy Eat World had played emocore-style music early in their career, by the time of the release of their 2001 album Bleed American, the band had downplayed its emo influences, releasing more pop-oriented singles such as "The Middle" and "Sweetness". Newer bands that sounded like Jimmy Eat World (and, in some cases, like the more melodic emo bands of the late 90s) were soon included in the genre. 2003 saw the success of Chris Carrabba, the former singer of emo band Further Seems Forever, and his project Dashboard Confessional. Carraba found himself part of the emerging "popular" emo scene. Carrabba's music featured lyrics founded in deep diary-like outpourings of emotion. While certainly emotional, the new "emo" had a far greater appeal amongst adolescents than its earlier incarnations. At the same time, use of the term "emo" expanded beyond the musical genre, which added to the confusion surrounding the term. The word "emo" became associated with open displays of strong emotion. Common fashion styles and attitudes that were becoming idiomatic of fans of similar "emo" bands also began to be referred to as "emo." As a result, bands that were loosely associated with "emo" trends or simply demonstrated emotion began to be referred to as emo. In a strange twist, screamo, a more aggressive sub-genre of emo that began in the early 90s, also had a reformulation of sound and has found greater popularity in recent years through bands such as Glassjaw.
Funk rock - a music genre that fuses funk and rock elements.[1] Its earliest incarnation was heard in the late 1960s through the mid-1970s by acts such as the Jimi Hendrix Experience (last two albums), Eric Burdon and War, Funkadelic, Betty Davis and Mother's Finest. Funk rock is a fusion of funk and rock. Many instruments may be incorporated into the music, but the overall sound is defined by a definitive bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more intensity, while the guitar can be funk-or-rock-influenced, usually with distortion.
Acid rock - a form of psychedelic rock, which is characterized with long instrumental solos, few (if any) lyrics and musical improvisation. Tom Wolfe describes the LSD-influenced music of The Jimi Hendrix Experience, Jefferson Airplane, New Riders of the Purple Sage and the Grateful Dead as "acid rock" in his book about Ken Kesey and the Acid Tests, The Electric Kool-Aid Acid Test. "Acid rock" also refers to the subset of psychedelic rock bands that were part of, or were influenced by, the San Francisco Sound, and which played loud, "heavy" music featuring long improvised solos.
Acid rock got its name ("acid" being a slang term for LSD) because it served as "background" music for acid trips in underground parties in the 1960s (e.g. the Merry Pranksters' "Acid Tests"). In an interview with Rolling Stone Jerry Garcia quoted band member Phil Lesh stating, "acid rock is what you listen to when you are high on acid." Garcia further stated there is no real psychedelic rock and that it is Indian classical music and some Tibetan music that are examples of music truly "designed to expand consciousness." The term "acid rock" is generally equivalent to psychedelic rock. Rolling Stone magazine includes early Pink Floyd as "acid-rock". In 1968 Life magazine referred to The Doors as the "Kings of Acid Rock".
Indie rock - a genre of alternative rock that most notably exists in the independent underground music scene. It primarily refers to rock musicians that are or were unsigned, or have signed to independent record labels, rather than major record labels. Genres or subgenres often associated with indie rock include lo-fi, post-rock, sadcore, C86, and math rock, to list but a few; other related (and sometimes overlapping) categories include shoegazing and indie pop. Indie rock artists place a premium on maintaining complete control of their music and careers, releasing albums on independent record labels (sometimes their own) and relying on touring, word-of-mouth, and airplay on independent or college radio stations for promotion. Some end up moving to major labels, often on favorable terms won by their prior independent success.
Rock - is a loosely defined genre of popular music that developed during and after the 1960s. It has its roots in 1940s and 1950s rock and roll and rockabilly, which themselves evolved from rhythm and blues, country music and other influences. In addition, rock music drew on a number of other musical influences, including folk music, jazz, and classical music.The sound of rock often revolves around the electric guitar or acoustic guitar, and it uses a strong back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as organ, piano, or, since the 1970s, synthesizers. Along with the guitar or keyboards, saxophone and blues-style harmonica are sometimes used as soloing instruments. In its "purest form", it "has three chords, a strong, insistent back beat, and a catchy melody.
Punk - a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom, and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed the perceived excesses of mainstream 1970s rock. They created fast, hard-edged music, typically with short songs, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY (do it yourself) ethic, with many bands self-producing their recordings and distributing them through informal channels.
Heavy metal - a genre of rock music that developed in the late 1960s and early 1970s, largely in England and the United States. With roots in blues-rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with machismo and masculinity.
Alternative rock - is a genre of rock music that emerged in the 1980s and became widely popular in the 1990s. Alternative rock consists of various subgenres that have emerged from the independent music scene since the 1980s, such as grunge, Britpop, gothic rock, and indie pop. These genres are unified by their collective debt to the style and/or ethos of punk rock, which laid the groundwork for alternative music in the 1970s. At times alternative rock has been used as a catch-all phrase for rock music from underground artists in the 1980s, and all music descended from punk rock (including punk itself, New Wave, and post-punk)
Emo - a genre of music that originated from hardcore punk and later adopted pop punk influences when it became mainstream in the United States.
First wave (1985–1994)
In 1985 in Washington, D.C., Ian MacKaye and Guy Picciotto, veterans of the DC hardcore music scene, took their music in a more personal direction with a far greater sense of experimentation, bringing forth MacKaye's Embrace and Picciotto's Rites of Spring. The style of music developed by Embrace and Rites of Spring soon became its own sound. As a result of the renewed spirit of experimentation and musical innovation that developed the new scene, the summer of 1985 soon came to be known in the scene as "Revolution Summer". Where the term emo actually originated is uncertain: the earliest print citation found so far appears in 1997, although some claim that members of Rites of Spring mentioned in a 1985 Flipside Magazine interview that some of their fans had started using the term to describe their music.
Second wave (1994–2000)
As Fugazi and the Dischord Records scene became increasingly popular in the indie underground of the early 1990s, new bands began to spring up. Diary was released by Sunny Day Real Estate in 1994. The band performed on TV shows, including The Jon Stewart Show. Inspired by Fugazi and Sunny Day Real Estate, Jimmy Eat World released the album Static Prevails in 1996 on Capitol Records. A Cornerstone of the late-Nineties emo movement was Weezer's 1996 album Pinkerton, which was to be considered one of the defining emo records of the 90s and was said to have introduced emo to a larger and more mainstream audience.
Mainstream emo (2000–present)
While Jimmy Eat World had played emocore-style music early in their career, by the time of the release of their 2001 album Bleed American, the band had downplayed its emo influences, releasing more pop-oriented singles such as "The Middle" and "Sweetness". Newer bands that sounded like Jimmy Eat World (and, in some cases, like the more melodic emo bands of the late 90s) were soon included in the genre. 2003 saw the success of Chris Carrabba, the former singer of emo band Further Seems Forever, and his project Dashboard Confessional. Carraba found himself part of the emerging "popular" emo scene. Carrabba's music featured lyrics founded in deep diary-like outpourings of emotion. While certainly emotional, the new "emo" had a far greater appeal amongst adolescents than its earlier incarnations. At the same time, use of the term "emo" expanded beyond the musical genre, which added to the confusion surrounding the term. The word "emo" became associated with open displays of strong emotion. Common fashion styles and attitudes that were becoming idiomatic of fans of similar "emo" bands also began to be referred to as "emo." As a result, bands that were loosely associated with "emo" trends or simply demonstrated emotion began to be referred to as emo. In a strange twist, screamo, a more aggressive sub-genre of emo that began in the early 90s, also had a reformulation of sound and has found greater popularity in recent years through bands such as Glassjaw.
Funk rock - a music genre that fuses funk and rock elements.[1] Its earliest incarnation was heard in the late 1960s through the mid-1970s by acts such as the Jimi Hendrix Experience (last two albums), Eric Burdon and War, Funkadelic, Betty Davis and Mother's Finest. Funk rock is a fusion of funk and rock. Many instruments may be incorporated into the music, but the overall sound is defined by a definitive bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more intensity, while the guitar can be funk-or-rock-influenced, usually with distortion.
Acid rock - a form of psychedelic rock, which is characterized with long instrumental solos, few (if any) lyrics and musical improvisation. Tom Wolfe describes the LSD-influenced music of The Jimi Hendrix Experience, Jefferson Airplane, New Riders of the Purple Sage and the Grateful Dead as "acid rock" in his book about Ken Kesey and the Acid Tests, The Electric Kool-Aid Acid Test. "Acid rock" also refers to the subset of psychedelic rock bands that were part of, or were influenced by, the San Francisco Sound, and which played loud, "heavy" music featuring long improvised solos.
Acid rock got its name ("acid" being a slang term for LSD) because it served as "background" music for acid trips in underground parties in the 1960s (e.g. the Merry Pranksters' "Acid Tests"). In an interview with Rolling Stone Jerry Garcia quoted band member Phil Lesh stating, "acid rock is what you listen to when you are high on acid." Garcia further stated there is no real psychedelic rock and that it is Indian classical music and some Tibetan music that are examples of music truly "designed to expand consciousness." The term "acid rock" is generally equivalent to psychedelic rock. Rolling Stone magazine includes early Pink Floyd as "acid-rock". In 1968 Life magazine referred to The Doors as the "Kings of Acid Rock".
Indie rock - a genre of alternative rock that most notably exists in the independent underground music scene. It primarily refers to rock musicians that are or were unsigned, or have signed to independent record labels, rather than major record labels. Genres or subgenres often associated with indie rock include lo-fi, post-rock, sadcore, C86, and math rock, to list but a few; other related (and sometimes overlapping) categories include shoegazing and indie pop. Indie rock artists place a premium on maintaining complete control of their music and careers, releasing albums on independent record labels (sometimes their own) and relying on touring, word-of-mouth, and airplay on independent or college radio stations for promotion. Some end up moving to major labels, often on favorable terms won by their prior independent success.